Orly Noa Rabinyan

    Grant Recipient
    • Theater

    Tel Aviv, Israel


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    Born in Israel to Persian parents, Orly Noa trained as a director in London and in Tel Aviv. Orly Noa is a member of EVE – Israeli Independent Theatre Makers Association, Lincoln Center Theater Directors Lab, La MaMa Umbria, The Watermill Performance Center, Asylum Arts and the WWLab – an international directors collective.

    Next projects for 2021-2022 in Israel & Europe TBA soon. 

    Her previous independent body of work – the #posthome_theatre directorial trilogy – included: A PARTICIPATORY PERSIAN TEA CEREMONY performed at changing locations in Israel and abroad (2016-2019). An adaptation of Luigi Pirandello’s THE MAN WITH THE FLOWER IN HIS MOUTH, performed in Hebrew with Italian supertitles at Jaffa Theatre/Haifa Theatre/Tmuna in Tel Aviv (2017-2019). The third part of the trilogy PARRHESIA premiered at Tmuna  Theatre in Tel Aviv (2019-2020).

    Other selected directing credits: HER ISRAELI STORY – a cross disciplinary performance bringing together contemporary literature & visual art at Ebraica Festival, Rome. Israeli premiere of BULL by Mike Bartlett at MARA Theatre, nominated for Best Show & awarded Best Stage Design at the 2017 Israeli Fringe Awards. A site-specific adaptation inspired by Maurice Meaterlinck’s INTERIOR for the Banqiao 435 ART ZONE in Taipei, Taiwan. ISRA-ISLAND by Nava Semel at Itim Ensemble. Israeli premiere of FLEABAG by Phoebe Waller-Bridge at the Israel Festival. ONIONS – In Pasto Al Mare, a site-specific work for the beach in Calabria, later hosted by the Teatro Biblioteca Quarticciolo, Rome. Israeli premiere of IF THERE IS I HAVEN’T FOUND IT YET by Nick Payne at the Library Theatre. British premiere of HONEYPOT by Julia Pascal at the New Diorama. A DROP IN THE SEA at Tzavta, Tel Aviv. 

    She received the Habima Award for Entrepreneurship in Theatre at a festival co-produced by Tel Aviv’s Habima and London’s National Theatre, and was nominated to Rolex Mentor and Protégé Arts Initiative. She was a recipient of the America-Israel Cultural Foundation grant, the Lottery Arts Fund & Ministry of Culture grants.


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